![]() Date - the year(s) of composition or arrangement, where known.Forces - the instrumentation used (see IMSLP:Abbreviations for Instruments).Title - normally following the New Liszt Edition and Library of Congress, as well as other authoritative sources.Eckhardt referenced in Grove Music Online (2010) See the Talk page for more on the arrangement of Searle's catalogue An asterisk (*) signifies that a number is no longer in use. numbering as given in Humphrey Searle ( The Music of Liszt, 1954, 2/1966), with significant additions and revisions by Sharon Winklhofer (ed. The table below gives the following information for works by Franz Liszt (where applicable): Partitions de Piano, Transcriptions, etc.Paraphrases, Operatic Transcriptions, etc.Arrangements, Transcriptions, Fantasies, etc.Please consult the manual of style for creating composer work lists. For an automatically generated alphabetical list of all available pieces, please seeĪ list of works in the composer category that are not included here can be found on this page. ![]() Études d'exécution transcendante d'après Paganini, S.This list is manually maintained, therefore some of the available pieces may not yet be linked from this page.Études d'exécution transcendante, S.139.Études d'exécution transcendante d'après Paganini, S.140 Version History Composed for solo piano, 1851 (= S.141), based on Rondo 'La campanella' (No.3) from Violin Concerto No.2, Op.7.La campanella - Allegretto (G-sharp minor) اتودهای شش گانهٔ پاگانینی اتودهای شش گانه پاگانینی Six Etudes d'apres Paganini Six Études d'après Paganini Études d'execution transcendante d'après Paganini Grandes Etudes de Paganini Etudes d'exécution transcendante d'après Paganini Études d'exécution transcendante d'apres Paganini Etudes d'exécution transcendante d'apres Paganini Études d'exécution transcendante d'après Paganini Etudes d'execution transcendante d'apres Paganini Études d'execution transcendante d'apres Paganini Etudes d'execution transcendante d'après Paganini 帕格尼尼练习曲 帕格尼尼練習曲ģ. Grandes études de Paganini transcendantes pour le piano IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Please obey the copyright laws of your country. You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving).
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